The artwork 'Perro que ladra no muerde' by Pablo A. Medina features a vibrant geometric mandala design with orange, blue, and yellow sections arranged in a decagonal pattern. Text elements repeat around the circular composition, creating a dynamic rhythm. The acrylic painting on paper showcases sharp, precise lines and bold color contrasts within a white frame.
The artwork 'Perro que ladra no muerde' by Pablo A. Medina features a kaleidoscopic pattern with radiating triangular segments in vibrant teal, orange, and yellow. The text 'PERRO' repeats throughout the composition in a circular arrangement, creating a dynamic mandala-like design. Acrylic on paper, the piece combines geometric precision with bold typography. By Pablo A. Medina.
The artwork 'Perro que ladra no muerde' by Pablo A. Medina features a geometric kaleidoscope pattern with repeated text in triangular segments. Bold colors of turquoise, orange, yellow, and navy blue create a dynamic composition. The text appears fragmented and mirrored across angular shapes, showcasing a modern typographic abstract style in acrylic on paper. By Pablo A. Medina.
The artwork 'Perro que ladra no muerde' by Pablo A. Medina features a vibrant octagonal mandala-like design in orange, turquoise, and yellow. Geometric patterns form a star-shaped composition with repeating text elements arranged symmetrically around the center. The acrylic painting on paper combines bold colors and precise linework in a contemporary folk art style. By Pablo A. Medina.
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    Pablo A. Medina

    Perro que ladra no muerde (A barking dog never bites)

    Original Artwork

    Dimensions: Height 17.5 in x Width 23 in.

    Medium: Acrylic on paper

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    Purchase: $2,000
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    The work comes with a Certificate of Authenticity signed by the artist.

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    Pablo A. Medina

    Pablo A. Medina

    Works in Brooklyn, NY

    Pablo’s work investigates the vernacular of found letterforms and sign painting from Latin American neighborhoods in New York City and around the world. Re-contextualizing this visual language from urban landscapes into a personal one serves as a way of reclaiming his own eclectic Latinx identity and becomes a departure point for research on cultural and religious themes, specifically, Yoruban, Indigenous, and Buddhist forms of devotion.

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