The artwork 'Star of time from the bad luck coin' by Evan Peltzman features a striking geometric landscape with triangular forms in deep burgundy against a vibrant red sky filled with textured, rippling clouds. The composition, created with ink and plaster on wood panel, presents a surreal pyramidal vista framed by a vintage-style border.
Star of time from the bad luck coin by Evan Peltzman: Modern abstract artwork featuring a dramatic red-toned perspective landscape with geometric patterns, rendered in ink and plaster on wood panel, framed in gold, displayed above a minimalist furniture setting with textured floor patterns. 19x13 inches wall mounted artwork.
The artwork 'Star of time from the bad luck coin' by Evan Peltzman features a textured red pattern with scalloped shapes against a cream background, framed in warm wooden molding with vibrant yellow accent trim. The mixed media piece combines ink and plaster on wood panel, creating dynamic visual depth and tactile interest.
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    Evan Peltzman

    Star of time from the bad luck coin

    Original Artwork

    Dimensions: Height 19 in. x Width 13 in.

    Medium: Ink and plaster on wood panel (french cleat mounted on back of panel)  

    $88
    $88
    /month
    Subscription
    $1,100
    Purchase

    The work comes with a Certificate of Authenticity signed by the artist.

    We offer $50 shipping in the continental U.S. and $20 installation service in the NYC metro area. Return shipping is also $50, but waived if you rent for 6 months or longer. Just shoot us an email and we'll help you safely return the artworks.

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    Evan Peltzman

    Evan Peltzman

    Works in NY

    Evan Peltzman is a painter who has been living and working in New York City since 2010. He is currently an MFA candidate at the School of Visual Arts in New York, graduating in 2026. Born and raised in California’s San Francisco Bay Area during the 1980’s and 90’s, Evan was heavily influenced by the artwork and aesthetic of the local skateboarding, live music and graffiti of the times. San Francisco’s DIY culture of the early 90’s inspired him to get creative with his materials, exhibition venues and studio spaces. This approach to art making continues to follow him today as he builds all of his own wood panels, canvas stretchers and frames in order to use unorthodox materials and make odd-sized work.

    Inside the artist’s studio & life

    Inside the artist’s studio & life

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