The artwork 'The Pleasure Of Not Knowing #2' by Petra Nimtz features an abstract composition with textured rectangular forms in soft blue, white, and earthy browns against a dark, weathered background. Oil on linen creates depth through layered brushstrokes and scratched textures, suggesting an industrial or urban aesthetic. The 60x40 inch canvas showcases a moody interplay of light and shadow.
The artwork 'The Pleasure Of Not Knowing #2' by Petra Nimtz features an abstract composition with textured brushstrokes in muted tones of white, gray, and taupe. The oil on linen painting displays dramatic vertical sweeps and layered rectangular forms, creating a sense of depth through weathered, scraped surfaces and contrasting light and dark elements.
The artwork 'The Pleasure Of Not Knowing #2' by Petra Nimtz features an abstract composition in oil on linen, displaying textural layers of gray, charcoal, and pale blue tones. The painting exhibits a weathered, industrial aesthetic with geometric shapes and rectangles emerging through distressed surfaces, creating a sense of depth and architectural elements in a 60x40 inch format.
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    Petra Nimtz

    The Pleasure Of Not Knowing #2

    Original Artwork

    Dimensions: Height 60 in x Width 40 in.

    Medium: Oil on linen

    $248 /mo
    Purchase: $7,500
    $248
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    $7,500
    Purchase

    This work is oversized, and only shippable within New York. If you order this work, there will be a $100 flat fee for handling within New York and a minimum $250 shipping fee to the rest of the U.S.

    The work comes with a Certificate of Authenticity signed by the artist.

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    Petra Nimtz

    Petra Nimtz

    Born in Germany / Works in Woodstock and New York, NY

    My work develops from the physical process of painting. Compositions are not planned or created, but found; they emerge somewhere along the way. To me ,what matters, is the act of painting itself. Having no concept in mind frees me from rules, elements of style and formal techniques. Usually I start a new canvas with gestural mark making or shapes. Using brushes, palette knifes and rags the oil paint is applied thickly, building layers. One mark here leads to another over there. I work on more than one piece and so a conversation between the them begins. What I do on one canvas has an influence on the other and vice versa. A unique aspect of my painting process is the fact that I have trained myself only to use my left hand although I’m right handed. I’m using the left side right brain connection which is all about imagination and not controlling anything. My artwork is a way to express what I cannot say with words.

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