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There is a sense of history in Shira's paintings. They are built up patiently like the hands of potters that their surfaces resemble, but left to be scratched and marked by some unknown force. Even the central objects are pressed into the thick layer of venetian plaster instead of sitting on top. In a world of polished surfaces, Shira's use of materials restores the power of time.
Eric Jiaju Lee does a little bit of everything. He's an abstract painter, musician, sculptor, photographer, performance artist, and rock climber. It is no surprise, then, that his nature-inspired paintings are informed by movement. The fluid calligraphic gestures of Chinese ink and brush and tai chi can be seen in his abstract works as he pours, puddles, and tips his way towards representing the feeling of nature.
Tyler Sorgman is interested in exploring how the landscape can act as a symbol for the psychological. Sorgman’s recent work includes imagery of plant growth, mountain ranges, storms, and forest fires. A solitary home is often set into these imagined spaces. The scenes Sorgman creates are meant to feel both playful yet perilous; dreamy yet uneasy. Throughout Sorgman’s body of work, there is a play between flatness, depth, and the simplification of complex forms. He builds up layers of paint through repetitive marks and symbols, and sees their accumulation as a reflection of his thoughts, feelings, and anxieties at the time of each individual work’s creation.
Born in 1984, Linden spent her youth in the urban Sonoran desert of Phoenix, Arizona before moving to Southern California to obtain her BA in Studio Art. She's since lived and worked across Europe, Asia, and Oceania. Linden's work has been published and exhibited internationally. She has participated in residencies at La Filature des Calquières (France), Tiapapata Art Centre (Samoa), Cowwarr Art Space (Australia), and Tenjinyama Art Studio (Japan). She currently lives in Mount Holly, Vermont.
An oscillator is a circuit that produces a repeated alternating waveform by converting electronic signals. Simply put, they generate and convey information, a theme that Brittany Kieler explores the limits of in her art as she delves into the inherent mysticism of human history. Electronics (or anything having to do with oscillators themselves) don't appear in her work at all, but her wavy line art is reminiscent of what one sounds like... if that oscillator became sentient and tried to teach philosophy. Waveform next to waveform, her black and white lithographic lines meld into organic shapes that are almost familiar (and some that are not).
Shadia Sabagh is an artist originally from Colombia who currently resides in Miami, Florida. She has a deep appreciation for nature and her work primarily revolves around capturing the intricate beauty of flora and fauna. Her art is characterized by its minimal, detail-oriented approach and abstract forms. Shadia's preferred medium is a combination of acrylic markers and paints, which she uses to create stunning works of art. Her freehand technique allows her to express herself in a fluid and natural manner, resulting in unique and captivating pieces.
Kate Rusek is a New York based sculptor and garment maker whose research and art making considers the intricate connectivity between humanity, material culture, and the natural world. Her biophilic forms assert abundance as an act of future making. She works almost exclusively in reclaimed and surplus textile, metals, and plastics and has more recently begun to integrate these materials into a ceramics practice. Kate Rusek has also worked for the Jim Henson Company since 2015 making props and puppets for Sesame Street. She currently works from a studio in Queens.
Robin Kang is a Brooklyn-based artist, educator, and student of ancient mystical lineages. Her art reinterprets the tradition of weaving within a contemporary technological context. Utilizing a digitally operated Jacquard hand loom, the contemporary version of the first binary operated machine and argued precursor to the invention of the computer, she hand weaves tapestries that combine mythic symbolism, computer related imagery, and digital mark making. The juxtaposition of textiles with electronics opens conversations of reconciling old traditions with new possibilities, as well as the relationship between textiles, symbols, language, memory and spirituality.
Sarah Dineen holds a BFA from Montserrat College of Art and an MFA from the School of Visual Arts in New York. She has exhibited internationally and has been featured in art publications including Hyperallergic and New American Paintings.
Combining black and white photography and collage, Adrienne’s unique perspective uses urban architecture to create abstract shapes. In her "Architextures" hand-cut-and-assembled series, her collages are anything but static, with texture and layering emphasizing their handmade quality. The complex, layered nature of Adrienne’s practice subtly blends fragmented photographs into geometric forms.
If you’ve ever seen a sunflower that’s seemed to mutate and stretch in all directions (gardeners call it fasciation), you’ll recognise that odd, abstract beauty in nature that shines in Raúl Ortiz’s paintings. Raúl’s paintings strip away sections to reveal even more colorfully patterned silhouettes. Though his earlier works took the shape of natural subjects like flowers, more indistinct shapes take center stage, playing with repetition as well as vivid color.
Born in Israel and based in New York City, Noa holds an MFA Fine Arts from the School of Visual Arts in New York and a BFA Fine Arts from the Bezalel Academy in Jerusalem. Noa was a recipient of The Pollock Krasner Foundation Grant for 2018-19. Residency programs she has attended include: Art Omi International Artists Residency in Ghent, NY, Yaddo artist colony in Saratoga Springs, NY and The Keyholder Residency at the Lower East Side Printshop in Manhattan.
Philippe calls his paintings “geographical abstractions”. He reconstructs recognizable details of an urban environment (angular shapes that look like construction debris or suggestion of skyscrapers, for example) according to his personal impression of pecific locations like New York, Aix-en-Provence, and Zurich. But Philippe doesn’t try to organize everything - where everything is fast, noisy, smelly, and overall so extra-, you gotta lean into the chaos and learn how to enjoy it.
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