Thanksgiving

This curation is all about Thanksgiving, curated by Paige, one of our interns.

"For me, Thanksgiving has always been one of my favorite holidays, full of family, food, and watching the Macy’s Thanksgiving Day Parade. It is one of the best days of the year, capped off with drinks and epic boardgame battles with my parents and siblings. This year of course will be different, for me, it will be a Gobblerito, a good bourbon ale, and a Zoom background full of one of a kind artwork! I built this Gallery Wall inspired by the feeling, fun, and humor of the holiday while representing the uniquely complicated strangeness of 2020."

Take15% Off Gift Cards with the code YAY15

Petra Nimtz

Recipe For Heartbreak #1

$148 /mo | $5,000 Purchase

Dimensions: Height 49 in x Width 45 in. Medium: Oil on linen

Noriko Okada

Family

$38 /mo | $500 Purchase

Dimensions: Height 13.5 in x Width 11 in. each Medium: oil on fabric

An original abstract mix media painting by Sinejan Kilic Buchina an artist who has exhibited in New York, titled Collected Memories 2

Sinejan Kılıç Buchina

Collected Memories #1

$1,350 Purchase

Dimensions: Height 40 in x Width 28 in. Medium: Mixed media on board (oil, pastel, pencil, acrylic, collage)

The Duck Butchers and the Butchered Ducks (Diptych) by Amanda Ba

Dark Slate Gray The Duck Butchers and the Butchered Ducks (Diptych)

Sold / Rented

Amanda Ba

The Duck Butchers and...

$88 /mo | $1,500 Purchase

Dimensions: Height 48 in x Width 36 in. Medium: Oil on canvas

Sold / Rented

Ryan Patrick Martin

Good Germs

$148 /mo | $2,800 Purchase

Dimensions: Height 40 in x Width 40 in. Medium: Wood, Epoxy clay, Epoxy resin, Sculptamold, Acrylic paint Marin was thinking about “making the best out of a sticky situation” when...

Sold / Rented

Joseph O'Neal

Fresh Produce

$175 Unframed | $299 Framed

Dimensions: Height 6.5 in x Width 5 in. Medium: Wax pastel on found paper

Petra Nimtz

Petra Nimtz

My work develops from the physical process of painting. Compositions are not planned or created, but found; they emerge somewhere along the way. To me ,what matters, is the act of painting itself. Having no concept in mind frees me from rules, elements of style and formal techniques. Usually I start a new canvas with gestural mark making or shapes. Using brushes, palette knifes and rags the oil paint is applied thickly, building layers. One mark here leads to another over there. I work on more than one piece and so a conversation between the them begins. What I do on one canvas has an influence on the other and vice versa. A unique aspect of my painting process is the fact that I have trained myself only to use my left hand although I’m right handed. I’m using the left side right brain connection which is all about imagination and not controlling anything. My artwork is a way to express what I cannot say with words.
Noriko Okada

Noriko Okada

Noriko Okada’s works are like siblings who look nothing alike. They’re like third cousins; like twins separated at birth; like people who you could have sworn were only children: each work is singular, but is related by a thread that runs deep yet just out of sight. Her amalgamous artworks of paint, fabric, prints, and ceramic don’t shout their message out loud, but invite viewers in for a chat.
Sinejan Kılıç Buchina

Sinejan Kılıç Buchina

Sinejan’s mixed media paintings are an ode to the lived experiences of places that no article, photograph, or map can capture. Borders between two countries are never clear cut; languages become forgotten; some small towns cannot be reached by even mail, rendering it invisible. To parallel this constant process of unraveling, Sinejan erodes geographical boundaries on maps with stains of dirt, rust, spices, straw, and other materials collected from places she personally traveled to. She actually keeps glass jars of scrap metal on her studio cabinets that will one day turn into rust - a poetic process where even the most hardened, robust-looking materials eventually return to nature.
Amanda Ba

Amanda Ba

She is aware of the precariousness of her own identity. This gives her permission to occupy, more comfortably and more productively, the liminal space that is what Ien Ang would call in-between-ness—for Ang, hybridity is a welcome respite from the boundaries that children of the diaspora are often confined within. The self-generated idealization of her far-away “foreign” childhood hometown is often glaring, and the hybrid woman finds herself at once escaping to and challenging her possibly-confabulated halcyon memories, the psychic remembrances of an apparent “motherland”. (One gazes at her homelands with weary lucidity and any illusory pane shatters.)
Ryan Patrick Martin

Ryan Patrick Martin

Painter, sculptor, and musician Ryan Patrick Martin is one of those rare people who creates his own reality - one of playfully strange objects and environments. His works are often informed by an interest in sound synthesis, movement, vibrancy, multi-sensory experiences and an endless search to find humor and harmony in the slop.
Joseph O'Neal

Joseph O'Neal

Joseph's work creates seams by coupling non-objective imagery with written texts such as dates, names, and various words and phrases. The back and forth between the two elements pose an ambiguous field of opportunities for the viewer to exist. Urgency and chance are ever-present in the works as is the dirt on the road to conclusion.

LET'S STAY IN TOUCH.

By clicking the button you agree to our Privacy Policy and Terms and Conditions

SHOPPING CART

title

Thanksgiving

LET'S STAY IN TOUCH.