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The artwork 'Good for the world, bad for business' by Evan Peltzman features a striking mixed-media composition with contrasting color blocks. A yellow panel shows delicate flowers, while a deep blue section displays an explosive palm-like form. A central panel depicts a volcanic structure in red and grey, with aqua waters below showing arcing forms. Created with ink, acrylic, pastel and charcoal on canvas.
The artwork 'Good for the world, bad for business' by Evan Peltzman features a striking mixed-media composition divided into quadrants. A yellow plant in a white vase against red background occupies one section, while a luminous palm-like burst against deep blue dominates another. The turquoise lower panel shows floating elements, created with ink, acrylic, pastel and charcoal on canvas. By Evan Peltzman.
The artwork 'Good for the world, bad for business' by Evan Peltzman features a textural white wooden frame with distressed edges. The canvas is partially visible, showing handwritten text in red and black ink. Mixed media artwork combining ink, acrylic, pastel and charcoal on canvas, measuring 50 x 40 inches. By Evan Peltzman.
The artwork 'Good for the world, bad for business' by Evan Peltzman shows the back of a stretched canvas with wooden support frame. The title appears handwritten in red ink against white canvas, accompanied by medium specifications and dimensions. The wooden stretcher bars create a classic cross pattern, with visible natural grain patterns. By Evan Peltzman.
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    Evan Peltzman

    Good for the world, bad for business

    Original Artwork

    Dimensions: Height 50 in x Width 40 in.

    Medium: Ink, acrylic, pastel and charcoal on canvas 

    $148 /mo
    Purchase: $5,000
    $148
    /month
    Subscription
    $5,000
    Purchase

    This work is oversized, and only shippable within New York. If you order this work, there will be a $100 flat fee for handling within New York and a minimum $250 shipping fee to the rest of the U.S.

    The work comes with a Certificate of Authenticity signed by the artist.

    We offer $50 shipping in the continental U.S. and $20 installation service in the NYC metro area. Return shipping is also $50, but waived if you rent for 6 months or longer. Just shoot us an email and we'll help you safely return the artworks.

    Your monthly rental payments accumulate and get deducted from the purchase price if you decide to buy the work.

    Evan Peltzman

    Evan Peltzman

    Works in NY

    Evan Peltzman is a painter who has been living and working in New York City since 2010. He is currently an MFA candidate at the School of Visual Arts in New York, graduating in 2026. Born and raised in California’s San Francisco Bay Area during the 1980’s and 90’s, Evan was heavily influenced by the artwork and aesthetic of the local skateboarding, live music and graffiti of the times. San Francisco’s DIY culture of the early 90’s inspired him to get creative with his materials, exhibition venues and studio spaces. This approach to art making continues to follow him today as he builds all of his own wood panels, canvas stretchers and frames in order to use unorthodox materials and make odd-sized work.

    Read More

    Inside the artist’s studio & life

    Inside the artist’s studio & life

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    Hell-bow Statipult by Evan Peltzman: Abstract mixed media artwork featuring cloud-like formations in blue and gray, contrasting against a dark background with curved line elements. Hand-drawn arching lines emerge from a horizontal base, crowned with a circular form. Gold frame accents complemented by red and blue color blocks at bottom. The artwork 'Hell-bow Statipult' by Evan Peltzman features abstract geometric shapes with ethereal blue clouds against a grey sky, accented by orange diamond stars. The lower half shows black silhouettes with delicate line work, balanced by a striking red and blue base strip. Created with ink and plaster on wood panel by Evan Peltzman.

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    The artwork 'First Infinity' by Evan Peltzman features abstract minimalist composition with two delicate flower-like stems rising against a dark night sky with scattered blue clouds. The striking red horizontal band contrasts with the textured wooden panel base, creating a layered effect using ink, acrylic, and plaster on wood. The artwork 'First Infinity' by Evan Peltzman features two ethereal balloon-like forms floating against a dramatic black sky with swirling clouds. Bold red block spans the lower third, creating stark contrast. Mixed media technique combines ink, acrylic and plaster on wood panel, with delicate linear elements in blue scattered across the dark expanse.

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    The artwork 'Directly through large game of telephone' by Evan Peltzman features delicate black lines with pink spiral accents emerging from a bed of soft blue cloud-like shapes against a pale yellow-green gradient background. The composition combines ink and plaster on wood panel, creating a whimsical, minimalist aesthetic with organic forms and gentle color transitions. Directly through large game of telephone - curina Sold / Rented

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