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Kevin is an abstract painter and collage artist utilizing techniques that emphasize the process of painting through making the artist’s movement and layering of material visible in the work. Color, shape and line are visual cues employed to spark memories and experiences that the artist hopes can relay a common shared experience with the viewer. An upstate New York native, Kevin resides and creates art in Middlesex County, Massachusetts.
Following initial studies at the Brooklyn Museum Art School, Peter Colquhoun moved to Italy and at first settled in Venice for 6 months. Later he painted and exhibited in various cities including a solo exhibition at the Fenice Gallery in Venice in 1985. He also taught at a small art school in Casole d’Elsa, Tuscany. After returning from Italy, cityscape became an area of interest and activity as it is to the present day in New York City, his home.
I started making art in my early childhood, heavily influenced by the illustration work within the surf, skate and live music scenes of the 80’s and 90’s. As a young adult, I gravitated towards fine art through my exploration of less traditional media and application. After some years of working in abstraction, I’ve re-introduced representational imagery into my work. The goal is to join the worlds of abstraction and illustration to create a space in between where my work can continue to grow.
Speaking of the subtle ways environment affects a painter’s color choices, Beth’s choices scream East Coast. From the thick of acrylic paint emerges Beth’s impression of landscapes, styles alternating between abstract waves and naturalistic scenery.
Nature and geography have something in common: their boundaries are put in place by humans and are all but made up. Takashi Harada dissolves these natural and geographical boundaries in his artwork. For Takashi, all natural things have a common and equal value. When in nature, he believes, you connect back to it one atom at a time. Born in Japan, Takashi’s international existence made him face his Japanese identity as well his identity within the natural world. His art reflects that feeling, blurring natural light and color in ethereal paintings that merge harsh divisions and avoid representation in favor of capturing feeling.
Fred Bendheim is a contemporary artist working in Brooklyn, NY. Fred attended the University of California, Davis, and graduated from Pomona College, with a B.A. cum laude. He has lived and worked in Brooklyn, NY since 1983, maintaining a studio in Sunset Park. He is a teaching artist at The Art Student’s League, and other schools in NYC. Both a painter and sculptor, Fred has had numerous one-person shows, and his works are in collections world-wide: The Museum of Arts and Design, The Montclair Art Museum, The Scottsdale Museum of Contemporary Art, The National Museum of Costa Rica, The Neiman-Marcus Collection, and others.
Sunny Chapman retired from performing as a singer, & dancer, designing jewelry for stores like Barneys and Saks, activism and making documentaries to make art, a little jewelry and occasional poetry in Brooklyn and the Catskills. She was a street artist whose character Flower Face was published in the book Brooklyn Street Art. She resides in Williamsburg, Brooklyn, and in the Catskills. Chapman's studio art has been widely shown in galleries largely in the Northeast. Her art and poetry are published in books as well, her documentaries about Crisis Pregnancy Centers are distributed by The Cinema Guild. She is also the curator of the Birdhouse Gallery.
Emna Zghal is a Brooklyn-based visual artist. She was trained in both Tunisia and the United States and has shown her work in both countries and beyond. Her images of vast imagined spaces echo the patterns of nature and their infinite variety. And while the colors of her paintings, drawings and prints are surreal, they impart the vibrancy of life. Reviews of her exhibits appeared in the pages of The New Yorker Magazine, The New York Times, Artform among other publications.
Christina's mixed-media works are engaged in a perpetual struggle to burst out of whatever shape that holds them together. A philosopher once said that any artwork is a battle between material and content - this cannot be truer when Christina uses fabric like khakis, linen, and yarn that usually function to clothe and decorate our bodies but in her works given freedom to emanate energy on their own. In a sense, her approach seems like a rebellion against the way we in the modern times tend to bend nature as an object of our own use. When given the smallest crevice, nature will re-emerge in its full majestic force.
What if we saw nature not as distinguishable things like trees, mountains, and soil, but as a cloud of influences that surround us? Harkening back to her memories growing up in nature and a personal interest in Ecofeminism, Johanna's method of printmaking is in itself a dialogue with nature. In cyanotypes, the intentional outlines of base drawings intermingle with spontaneous factors like the angle, brightness, and hue of sunlight - even the canvas it is printed on is candidly frayed at the edges. In her other prints also, watercolor-like effects make even the ground appear buoyant.
Tyler Sorgman is interested in exploring how the landscape can act as a symbol for the psychological. Sorgman’s recent work includes imagery of plant growth, mountain ranges, storms, and forest fires. A solitary home is often set into these imagined spaces. The scenes Sorgman creates are meant to feel both playful yet perilous; dreamy yet uneasy. Throughout Sorgman’s body of work, there is a play between flatness, depth, and the simplification of complex forms. He builds up layers of paint through repetitive marks and symbols, and sees their accumulation as a reflection of his thoughts, feelings, and anxieties at the time of each individual work’s creation.
Ms. Puppin is an internationally exhibited visual artist. Many renowned venues internationally have showcased her work, including MEAM – European Museum of Modern Art in Barcelona, Spain, Fire Station – Qatar Museums in Doha, Qatar, and galleries and museums in Qatar, Germany, Russia, China, Israel, Spain, France, India and USA. She was chosen to represent the Italian contemporary art in 2020 by the Italian Embassy in Qatar. Ms. Puppin is the recipient of several highly prestigious residencies and prizes.
Janice La Motta is a visual artist who has balanced a forty year career as a practicing artist while serving in the positions of museum curator, gallerist, artistic director and most recently as executive director of a nonprofit art organization. She has exhibited her work in numerous solo and group exhibitions throughout the country. A native of New Jersey, La Motta is a BFA graduate of the Hartford Art School, CT. She lives and works in Ulster County, New York.
Every one of Rita’s artworks captures a unique feeling in a specific moment in time that she hopes to share with the viewer. Whether via abstraction or an impressionistic landscape inspired by the works of Claude Monet, Rita’s heavily textured oil paintings express a warm feeling of soulfulness and her loose brushstrokes leave the works open for spiritual interpretation.
Daniel Kersh is an artist exploring intersections in art, performance, science, and technology. He brings his background in installation art, lighting design, and dance to create large scale, immersive exhibitions and performances. Kersh's work embodies expressions of a universal rhythm marked by impermanence, interconnectedness, and nonduality. Fundamental to all of his work is an invitation to a meditative space and an opportunity for moments of transcendence.
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