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Kathie Halfin is a textile, performance and an installation artist. Halfin’s artwork incorporates family history, cross-cultural mythologies and rituals, language patterns and handwoven coded messages. Halfin showed her work and performed at the the solo and group exhibitions at the Ely Center Of Contemporary Art, Bronx Museum AIM Biennial, the A.I.R. Gallery, Itinerant Performance Festival in Smack Mellon, Knockdown Center: Sunday Series, Art In Odd Places Performance Festival, Clemente Soto Velez Cultural Center and the Immigrant Artist Biennial among others.
Robin Kang is a Brooklyn-based artist, educator, and student of ancient mystical lineages. Her art reinterprets the tradition of weaving within a contemporary technological context. Utilizing a digitally operated Jacquard hand loom, the contemporary version of the first binary operated machine and argued precursor to the invention of the computer, she hand weaves tapestries that combine mythic symbolism, computer related imagery, and digital mark making. The juxtaposition of textiles with electronics opens conversations of reconciling old traditions with new possibilities, as well as the relationship between textiles, symbols, language, memory and spirituality.
Hanna Washburn’s soft sculptures sag and bulge in shapes that reference human anatomy. Their plush forms grow almost organically from clothing, furniture, and found objects. Hanna’s work is focused on associations; the materials she uses come from objects with previous stories told in fabrics that come from domestic interiors (upholstery, gingham table cloths, curtains) and the sculptures she creates blend the feminine, grotesque, maternal, modest, and sexual.
Victoria Manganiello is an artist, designer, educator, and organizer. She has received many recognized grants, commissions, and residency appointments and exhibited her woven paintings, kinetic installations, artist books, and films across the USA, in Europe, Asia, and Australia. She is also a part-time assistant professor of textiles at Parsons and NYU, co-organizes an annual artist residency for electronic textile practitioners, and co-runs an art and design collective called Craftwork Collective.
Eriko Hattori (they/them) is a Pittsburgh-based artist. Hattori uses imagery, symbolism, and folklore to investigate the tension between their queer identity and Japanese heritage. With a rotating set of avatars, these icons act as anchors for conversations about perversion, desire, and the fetishism of bodies. They also serve as ways to honor women yokai and demons in Japanese folklore.
What if we saw nature not as distinguishable things like trees, mountains, and soil, but as a cloud of influences that surround us? Harkening back to her memories growing up in nature and a personal interest in Ecofeminism, Johanna's method of printmaking is in itself a dialogue with nature. In cyanotypes, the intentional outlines of base drawings intermingle with spontaneous factors like the angle, brightness, and hue of sunlight - even the canvas it is printed on is candidly frayed at the edges. In her other prints also, watercolor-like effects make even the ground appear buoyant.
Molly is an artist and designer currently working in Houston, TX, where the urban structure and expansion provide constant fuel to her practice. Molly received an MFA with an emphasis in fibers from Arizona State University (2017), and her current bodies of work carry on the delicate, expressive qualities of her background and BFA in drawing from Fort Hays State University (2013). In addition to keeping a studio practice, Molly also teaches workshops and classes regularly.
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